Then, director Abdellatif Kechiche will shoot her from another angle and we see her as the desirable -- and desirous -- young woman she is becoming. The actress, who is only 19, gives one of the most moving and believable performances I've ever seen. Unable to contain myself, I told them, "That was absolutely amazing. He went too far, and the film is paying a price even as it enjoys far greater visibility than it otherwise might. I think one could argue that Kechiche overplayed his hand when it came to the film's sex scenes.
But all that comes later. She hasn't experienced love yet, but just wait. She's looking for a teacher, not a student. I found that mostly amusing in retrospect, but it would make me sad if even those involved in making this film felt like they couldn't enjoy their accomplishment without feeling weird about it. It's not about the sex, it's about the journey. There's one boy at school who catches her eye, but his strained effort to impress her by wading through her favorite book leaves her cold. I happened to find myself on an elevator with the two actresses a half hour or so later. As most anyone who's ever been through one knows, teenage love affairs tend to be intense and temporary. I think one could argue that Kechiche overplayed his hand when it came to the film's sex scenes. He went too far, and the film is paying a price even as it enjoys far greater visibility than it otherwise might. Unable to contain myself, I told them, "That was absolutely amazing. You care about her, you believe in her journey, you want her to win. First, there's the electrical storm of their early encounters. She chews with her mouth open and reads with an unlocked heart, paying close attention in class as her literature teacher asks the class whether love at first sight produces a sensation of loss or gain. But I truly hope the furor surrounding those scenes doesn't overshadow the incredible performance by Exarchopoulos, whose name I'm already learning to pronounce and spell in hopes that we'll be repeating it from now until Oscar night. So repeat after me, Team Blue: Already, we've seen the clumsy school girl at the heart of the film morph into a sensually awakened young woman -- an evolution that isn't altogether comfortable to watch. Both are utterly believable. Then, director Abdellatif Kechiche will shoot her from another angle and we see her as the desirable -- and desirous -- young woman she is becoming. But now, as Sundance plans to release the film in U. The actress, who is only 19, gives one of the most moving and believable performances I've ever seen. At times, Exarchopoulos can look like a kid, her face free of makeup, her hair greasy and unkempt, her limbs gangly and unfinished. If you say that enough times, maybe someone other than me will start to believe it. By the end, you feel the way you should toward the lead character in a three-hour movie. But the biggest transformation is yet to come, and it provides the ultimate vindication of Exarchopoulos's shape-shifting prowess. Tap here to turn on desktop notifications to get the news sent straight to you. And now that the author of the graphic novel on which the film is based and the stars have gone on record to express their discomfort with those scenes , it's hard not to view them as a distraction at best, a piece of exploitation at worst.
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