The film mixes touching drama, wacky black comedy, bloody horror, cruel violence, thrilling tension, science-fiction, demented plot twists and props, and rich scenery and cinematography which is at times a tad reminiscent of Gilliam and Jeunet. A corny performer of love songs is hounded and desired by old women, but this is nothing compared to the fans of his romantic talents in the local backwoods village populated entirely by insane, inbred, desperate lonely men and no women. A police duo provide some intelligent sleuthing to track down the kidnapper. The Red Feline family continues to evolve, however, so there's always room for more to come. Endlessly surprising, amusing and highly recommended. Children, The This one is here purely for its incredibly effective and disturbing horror.
The father-killer is a three-dimensional character that reminded me of old-school horror characters like the Stepfather. The movie is mostly metaphysical, philosophical and intellectually romantic with only one surreal dream sequence. A fascinating, energetic film with an almost inconceivable twisted ending that pushes the whole exercise further into dementia and anarchy. Very gritty, stylish and dark with a dark sweaty texture that you can feel, and bizarre atmospheric sequences that all make sense at the end. This first part gets under your skin and is done very well. An unstable recluse and his brooding aerialist girlfriend kidnap a CEO whom they think is an alien from Andromeda and submit him to various tortures in the belief that they are saving the planet. And when his confidence and peace of mind returns in this world full of strangers, so does reality. I don't think that was Jac's intention when he started shooting the movie, but looking back into everything he did in the past, it was inevitable. It's a road movie full of quirky characters, but unlike any road movie you've ever seen. But there is also a believable angry teenager, submissive dependent mother, and a near-psychotic damaged little girl. As he travels to see his long lost daughter, sounds in his head make him a nervous wreck, mirrors set him off on an obsessive shaving spree that causes self-mutilation, and he becomes convinced that a radio transmitter is in his head and fingernail, leading to a stomach-churning mutilation scene. A moderately interesting complex artsy epic. He also encounters a drug-addict, money-loving bitch whom he pays to be his girlfriend, and her sleazy wheelchair-ridden father. Their lives become intertwined in ways they don't expect when they start to take over each other's lives. Unfortunately her personality never rings true, but the acting is good, and her psychotic, devil-may-care attitude in the second half of the movie as she starts masturbating to news footage of the Middle-East, playing deranged and violent games with lovers, flirting with necrophilia, and inventing gory ways to get rid of bodies, is a must see. In this alternate modern world, big brother is always on ubiquitous speakers instructing people on safety, encouraging them to procreate from a very early age, and suggesting they grow to love the game of croquet. The doctor's evil, nihilistic side starts coming out and his wishes more perverse and immoral. A quiet movie with a deceptively simple story that grows on you. U-Turn Stone lightens up somewhat after his controversial Natural Born Killers and delivers a similarly deranged, stylistic but humorous look at the adventures of one man who takes a wrong turn. What if, during a memory erasure procedure, we suddenly realized that we don't want to lose the good with the bad and that the good was a lot more important than we imagined? There's a Maleficarum kind of movie in the works, one that will certainly try to outdo Maleficarum. At the same time, we witness a man who seems to live in multiple worlds and is very aware of it, and in each one he encounters the same intriguing woman only in different roles. The film mixes touching drama, wacky black comedy, bloody horror, cruel violence, thrilling tension, science-fiction, demented plot twists and props, and rich scenery and cinematography which is at times a tad reminiscent of Gilliam and Jeunet. This is an intense, disturbing and intelligent masterpiece. This new notoriety is leading to new things, yes, we're getting word of some awards looming in the future, as well as interest in festivals and calls for more interviews in international magazines and blogs. Very dense with metaphors and psychological layers, and the effects feel somewhat overdone at first but are magical once you get used to them.
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