Misael took Maria out of "the life," installed her in a two-storey house in Junction City, paid for the doctor, dentist, manicurist That Cavafy's love life was homosexual and covert adds to the emotion. What is it women do in men require? We want not merely to know that the other's need has been gratified: The "fleeting pleasures" are seen without melodrama. The "arched body" in the next-to-last line has that quality too, as does "slave to a springtime passion"; the arched body of the seedling is precise as well as suggestive, making accuracy itself erotic. Mad in pursuit, and in possession so; Had, having, and in quest to have, extreme; A bliss in proof, and proved, a very woe; Before, a joy proposed; behind, a dream.
He did none of these: About her head I writhing hung, And with rich clusters hid among The leaves her temples I behung: Advertisement Also supercompressed, in a more or less opposite manner, is John Donne's bravura two-line poem about the mythological lovers Hero and Leander: And he grinned too and understood the wisdom of our madness. A glib moral separation of sex from love—or flirtation from passion—needs correction, supplied here by Constantine Cavafy in a poem translated from the Greek by Rae Dalven: Sterling Brown's "Harlem Happiness" inverts that scene significantly by making the lovers a black couple. Misael took Maria out of "the life," installed her in a two-storey house in Junction City, paid for the doctor, dentist, manicurist This year, let's look at sex. In Junction City again, on Clapp Street. That Cavafy's love life was homosexual and covert adds to the emotion. That night at least the world was ours to spend, nor were we misers, Ah, Morningside with Maytime awhispering in the foliage! When Maria Elvira discovered she had a pretty mouth, she immediately took a boy-friend. Emily Dickinson's brilliant phrase for the prurient insistence of sexual obsession: One hopes that there was a real Lucia and that the sweet, self-mocking good humor of Herrick's poem pleased her. Herrick takes the image of his woody becoming a vine from the ancient Greek of Anakreon, but the wonderful poise of this poem is Herrick's own. The fantasy is made more alluring, more shadowed by its own unreality, by this reversal. We swaggered off; while they two stared, and laughed in understanding, And thanked us lovers who brought back an old Etrurian springtide. The place-names drive the story ahead at the speed of sound, where film might take an hour, or fiction a hundred pages: The lovers lived in Junction City. The lineaments of Gratified Desire. The American lexicon of ethnic terms is softened, made innocuous in this eroticized dream city of unlikely and poignant good will toward the black couple, as though they are Fred Astaire and Ginger Rogers: Misael didn't want a scandal. He gave her everything she wanted. What is it women do in men require? Here it is the rhyme and the four-part couplet-and-comma structure, reflecting the four elements, that accomplish the breathtaking speed of poetry.
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