Her turn as the evil-junkie stepmom in The Glass House was suitably debauched, and she was every inch Mark Wahlberg's brave and sobbing widow in The Perfect Storm, her 41st credit. After all, there was a time when she was so set for success that failure seemed inevitable. And they were pointing at each other. That's my bumper sticker about the whole thing. Best, I think, to know that part of yourself. It's far too complex with a child,' she says. The final frame was fought over to the last. Lane herself married a Frenchman - the actor Christopher Lambert, with whom she had Eleanor, now eight - but she denies this made the scenes any easier. I haven't worked since.
As almost an affront to the mythmakers of Hollywood, for example, she deliberately missed the Oscars this year. Best, I think, to know that part of yourself. She was worth millions by the age of 18 and had the world at her feet, but instead of soaring to Jolie or Paltrow heights, or indeed careening into a muddle of drug abuse and therapy, Lane spent the 90s as a 'working actress', a hidden diamond in a string of also-rans and occasionally excellent indies. After all, there was a time when she was so set for success that failure seemed inevitable. By the end, you're physically and emotionally shattered' She sips her water and picks lint off her crimson tonic jacket. But she turned down Splash, which was a hit for Daryl Hannah, and opted instead for Streets of Fire and Coppola's next film, The Cotton Club, which both turned out to be high-profile flops. Unfaithful's strength is its acute observation of what Lyne calls 'the body language of betrayal'. She dated Jon Bon Jovi and Matt Dillon during the 80s, and was married to Lambert until - a man that she has described as 'the complete opposite of someone who could give me what I needed'. So the studio imposed a diktat, a particularly jarring 'Hollywood' final line. But since then she has remained resolutely single. The parts are so nuanced and the script so lean that what might have been a standard morality tale becomes instead a complex, sympathetic portrayal of all three players - the cheat, the cheated on and the catalyst. His other trick was to shoot a whole magazine of film, so one take was as long as five takes. Her stage career began at six, as a full member of La Mama, a globe-trotting avant-garde theatre company. After years below the celebrity radar, she has lately emerged as a seasoned talent in need of a worthy script. You're consumed by them and your priorities change. She is also defiantly anti-fabulous, at best bemused by the celebrity circus of which she was once a part. The Cotton Club, in , was the last time she acted alongside Richard Gere , who was twice her age she was And they were pointing at each other. Though she would never excuse her character's affair, Lane explains the impulse to cheat as a need for excitement. It may well return her to the fame she has successfully ducked for so long. That's my bumper sticker about the whole thing. Lane herself married a Frenchman - the actor Christopher Lambert, with whom she had Eleanor, now eight - but she denies this made the scenes any easier. I haven't worked since. Is it a culling process? The final frame was fought over to the last. It is no different for Lane, who is obsessed that her daughter not be railroaded into showbusiness and premature stardom as she was.
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