We are rendered voyeurs, every bit as much as the guard. The latest art house film from Lars von Trier made headlines for its orgasmic posters , an unusual discount for infants and — probably most notably — its use of digitally added porn doubles for the sex scenes. Von Trier, unlike some directors, does not have his principle actors have sex. But they're having real sex, and they put the two together. A number of other films involving unsimulated sex have not been allowed classification. In short, the physicality of sex can be ugly. There is a strong sense of human intimacy between the prisoners, the guard and us, as the masturbation ceases to be a private act.
This beginning could seem platonic enough, but soon we see the male prisoners masturbating. You'd think that removing all spontaneity from a sex scene would kill any believable chemistry, but for "Nymphomaniac" every move had to be carefully predetermined. And — if we can accept real sex is a cinematic turn-off — why is it used at all? The erotic love and thirst for extreme experiences between the two characters becomes so extreme that it bridges the separation of the unreal and the real — reality becoming like fiction. What is normal on many computer screens and a part of everyday life — indeed, fundamental to the continuance of life — becomes shocking when called art. Everything has to be set, so we would do the scene with Shia or whoever it was, and we would get little black dots on our bodies," Martin said. Von Trier, unlike some directors, does not have his principle actors have sex. Had the sex been staged, the power of this intimacy would have been dampened. While most the composite footage won't make it into US theaters, the uncut version of the sex scenes only featured the midsection of the actors' porn double. Photo courtesy of Magnolia Pictures. Regardless, it is not surprising that what can appear natural to some can also appear shocking to others. Indeed, at the end of the film, they challenge themselves to destroy their normal lives and fully commit to being idiots. We are rendered voyeurs, every bit as much as the guard. In short, the physicality of sex can be ugly. Real sex can seem forced, even artificial, as its presence so intentionally deviates from the fictional norm. But what is it about sex — real sex — that so unsettles in film? Indeed, real sex often breaks the natural flow of fiction, disrupting our enjoyment of two otherwise pleasurable — or so one hopes — activities: The whole film feels at times like an oriental illusion, but the real, penetrative sex by the two actors brings an uncomfortable reality into the film. The latest art house film from Lars von Trier made headlines for its orgasmic posters , an unusual discount for infants and — probably most notably — its use of digitally added porn doubles for the sex scenes. On set, the whole process was anything but sexy, according to Stacy Martin, the 23 year-old actress who plays the younger version of the main character Joe. Stacy Martin in Nymphomaniac, Volume I. However, real sex on screen can be a transcendent experience, all the more beautiful for being real. Of course, one could also quite reasonably read the sex-act at the end of the film as a shocking publicity stunt, to make an otherwise uninteresting, low-budget film interesting. Indeed, seeing the male body without Hollywood illusion can even seem comic. Everything above or below actually belonged to Martin or LaBeouf, for example.
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Nymphomaniac: 'The sex wasn't hard. The masochistic scenes were embarrassing'
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