Anyway, it's 10 mashups. Kasabian — Reason is Treason The second half suffers from, well, being the same stuff I always play, but we end with an RX debut, smartly bracketing the show with George W references. Whatsername Susanna Hoffs Commentary: In between, the show is intermittently intriguing--the inclusion of Ad Rock's funky remix of Beck along with a dose of Kraftwerk over the top for no good reason is, well, something--but mostly kind of yawny. I was surprised and humbled to find myself welcomed and treated seriously as an artist by interviewers and fans, and thanks to the kindness of fellow DJ friends and the music community I met along the way, I began to consider France as a sort of second home. RX- White Lines Commentary: The Next Generation Edition 1.
I referred to Phil and his "partner" Dog in the post-show wrapup which apparently caused much giggling amongst the Brit crew who were listening. So kudos to them for letting me play the whole thing. The Freestylers — B-Boy Stance Smokey Robinson — Tears of a Clown We get some delightful mashups by other producers as well as another appearance of Rapture Riders which is a strong contender for most-played Sixx Mixx track ever. Pepper's Paradise Jimmy Jammes mashup Commentary: Clever to match up the computer arpeggios from Missy Elliott and LCD Soundsystem with their grandparents Kraftwerk, but I'm not sure it's that much fun to listen to, and then more Kraftwerk, with the first apperance of a mashup that ended up being a favorite with some fans but I always thought was kinda half-hearted. New Order — True Faith 9. New Order — Blue Monday NIN is terrible, I will say that, and I'm playing more Depeche Mode because we were doing a ticket giveaway but that's doesn't really enhance the show. Lots of sloppy segues and ill-advised combos from me follow, although the little double-time set with the two Fatboy Slim-utilizing mashups became a favorite mini-set for the remainder of the show. Tears for Fears — Shout a capella 4. Bonus broadcast version with intro comedy: Various gigs took me to off the beaten path areas from tiny medieval hamlet Olargues to the Festival Francofolies in La Rochelle on Bastille Day, bien sur. Of course, beyond all these coincidental threads, an attack on a music venue like this is deeply disturbing, not that concert attendees' lives are somehow more important than others, but that it represents an attack on expression, art, speech, culture, and the glory of shared sound experiences, one of the very few things that make life worth living. On a side note, back here in , it's the day after horrific terrorist attacks in Paris, which is not really related to the Sixx Mixx in any way, except it sort of is. This episode of course doesn't hold a candle to Episode 62, the Election edition, which married politically aware tunes from various eras into a half hour show I'm still proud of today despite its turn from the usual Sixx Mixx insistence on musical connections above conceptual ones. Pink Floyd Groovepod Panikk mashup So, the show starts with an edit of the highly enjoyable Soulwax remix of Dare, and then a "controversial" mashup, which is so transcendent in the verses you can almost overlook the key problems in the bridge and chorus. Beatles — Trippin' Up Jimmy Jammes mash-up After the rerun sections we get two coincidental mashups like how Hollywood always makes two of the same movie? The Pixies — Wave of Mutilation Apparently Coldplay was doing a show that night in the Bay Area, so, half-hour of Coldplay remixes and stuff. Back to operating on all cylinders for the first time since January, really, this episode is solid front to back, as well as "cohesive" as they say on Project Runway. Riding on the high of last week's solid episode and playing a little bit of it as well , this episode suffers from repeat-itis, although it's bracketed by two fine productions from the delightful team of Phil n' Dog who if you listen to the on-air version you will understand were performing that weekend at our little Bootie club, thus the mega promotion.
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